[1080p] Master and Commander: The Far Side of the World (2003) Download Full

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  • Original Title : Master and Commander: The Far Side of the World
  • Movie title in your country : Master and Commander: The Far Side of the World
  • Year of movie : 2003
  • Genres of movie : Adventure,
  • Status of movie : Released
  • Release date of movie : 2003-11-14
  • Companies of movie : Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax,
  • Countries of movie : United States of America,
  • Language of movie : Français, Português, English,
  • Durationof movie : 138 Min
  • Average vote of movie : 6.9
  • Youtube ID of movie : 4wDVf5Tkc88
  • Translation of movie : DA,EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,RO,UK,HE,FR,EL,PT,TR,HU,CS,NL,BG,
  • Actors of movie :Bryan Dick (Joseph Nagle), Mark Lewis Jones (Mr. Hogg), Ian Mercer (Mr. Hollar), Alex Palmer (Nehemiah Slade), Ousmane Thiam (Black Bill), James D'Arcy (1st Lt. Tom Pullings), John DeSantis (Padeen), Jack Randall (Boyle), Tony Dolan (Mr. Lamb), Thierry Segall (French Captain), Max Pirkis (Blakeney), Lee Ingleby (Hollom), Paul Bettany (Dr. Stephen Maturin), Max Benitz (Calamy), Chris Larkin (Capt. Howard), Patrick Gallagher (Awkward Davies), David Threlfall (Preserved Killick), Richard McCabe (Mr. Higgins), Cpt. of Mizzentop), William Mannering (Faster Doudle), Richard Pates (Williamson), Robert Pugh (Mr. Allen), Edward Woodall (2nd Lt. William Mowett), Russell Crowe (Captain Jack Aubrey), Billy Boyd (Barrent Bonden), George Innes (Joe Plaice), Joseph Morgan (William Warley
The courage to do the impossible lies in the hearts of men.

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Master and Commander: The Far Side of the World is one movie excreted by Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax, that comes with a description of the movie is "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". The film was produced with excellent graphic quality, best ear busting sound quality and best starring actors.

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Screenplay : Peter Weir, Producer : Samuel Goldwyn Jr., Visual Effects Editor : Kosta Saric, Production Sound Mixer : Art Rochester, Boom Operator : Jeffrey A. Humphreys, Art Department Coordinator : Gerald Lehtola, Technical Supervisor : Brian Gee, I/O Supervisor : Brian Cuscino, Camera Operator : Don Reddy, 3D Supervisor : Christopher Bonnstetter, Sound Recordist : Tim Gomillion, Original Music Composer : Richard Tognetti, Production Design : William Sandell, Digital Compositors : Kathleen Beeler, Studio Teachers : Maxine Arbarbara, Makeup Department Head : Edouard F. Henriques, Casting : Mary Selway, Construction Foreman : James Arrigo, Editor : Lee Smith, Construction Coordinator : Gary Deaton, Dolby Consultant : Andy Potvin, Lighting Technician : Derick Pritchard, First Assistant Sound Editor : Linda Yeaney, Still Photographer : Stephen Vaughan, Translator : Quincy Perkins, Set Dressing Artist : Giovanni Bianchini, Post-Production Manager : Patrick Esposito, Lighting Artist : Michael Sean Foley, Propmaker : Bobby Mara, Visual Effects Producer : Julia Frey, Craft Service : Orlando Chongo, Electrician : Willie E. Dawkins, Foley : Gary A. Hecker, Director of Photography : Russell Boyd, Hairstylist : Edith I. Amezcua, Art Direction : Héctor Romero, Set Designer : Carlos Benassini, Co-Producer : Todd Arnow, Sound Re-Recording Mixer : Paul Massey, Visual Effects Producer : Helen Elswit, Visual Effects Supervisor : Stefen Fangmeier, Executive Visual Effects Producer : Blondel Aidoo, Stunt Coordinator : Doug Coleman, Production Accountant : Jen Hutchinson, Digital Intermediate : Hilda Saffari, Script Supervisor : Wilma Garscadden-Gahret, Visual Effects Producer : Jeff Werner, Scoring Mixer : Robert Fernandez, Assistant Director : Alan B. Curtiss, Unit Manager : Rafael Cuervo, Dialect Coach : Judy Dickerson, Video Assist Operator : Adam Barth, Grip : Chris Centrella, Director : Peter Weir, Standby Painter : Anthony Gaudio, Executive Producer : Alan B. Curtiss, Telecine Colorist : Eric Putz, Special Effects Coordinator : Daniel Sudick, Music Editor : Simon Leadley, Art Direction : Bruce Crone, Quality Control Supervisor : Timothy Michael Cairns, Set Production Assistant : Heather Anderson, Stunts : Joey Anaya, Art Direction : Marco Niro, Unit Production Manager : Todd Arnow, Production Office Coordinator : Derek Jan Vermaas, Steadicam Operator : Harry K. Garvin, Visual Effects Coordinator : Kimberly Adams, Foley : Nancy Parker, Post Production Assistant : Sassica Francis-Bruce, Casting : Fiona Weir, Color Timer : Jim Passon, Script Supervisor : Brenda Lopez, Second Unit Cinematographer : David R. Ellis, First Assistant Camera : Robert Hill, Visual Effects Supervisor : Pablo Helman, Transportation Coordinator : Russell McEntyre, Hair Department Head : Yolanda Toussieng, Stand In : David Oliver, Layout : Dani Morrow, Location Manager : Michael John Meehan, Set Dressing Supervisor : Jennifer Lewicki, Original Music Composer : Iva Davies, Gaffer : David Lee, Line Producer : Bridget Bourke, Driver : Tom Gilhooley, Storyboard : David Russell, Camera Operator : Guillermo Rosas, Co-Producer : Harvey Weinstein, Studio Teachers : Judith M. Brown, Researcher : Brice Criswell, Visual Effects Producer : Stephanie Hornish, Dialogue Editor : Hugo Weng, Original Music Composer : Christopher Gordon, Stunt Coordinator : Daniel W. Barringer, Utility Stunts : Mitch Toles, First Assistant Editor : John Lee, Camera Operator : Jamie Barber, Digital Effects Supervisor : David Ebner, Assistant Art Director : Kevin Ishioka, Sound Effects Editor : Michael W. Mitchell, Seamstress : Marcelina Barraza, Set Designer : Bill Hiney, Camera Operator : Matthew J. Siegel, Leadman : Christopher Neely, Co-Producer : Meyer Gottlieb, Set Medic : Jeffrey D. Stevens, Screenplay : John Collee, Best Boy Electric : Rick Maddux, Sequence Supervisor : Jay Cooper, Novel : Patrick O'Brian, Art Direction : Mark W. Mansbridge, Set Decoration : Robert Gould, Camera Operator : George Billinger III, Camera Operator : Martha Susana Ramos, Visual Effects Supervisor : Mitchell S. Drain, Production Illustrator : Daren Dochterman, Set Designer : Nick Navarro, Rigging Gaffer : Stephen Johnstone, Thanks : Christopher Terrill, Property Master : Doug Harlocker, Producer : Duncan Henderson, Sound Designer : Richard King, Costume Design : Wendy Stites, Unit Publicist : Sandy O'Neill, Production Coordinator : Andy Foster, Set Costumer : Javier Arrieta, Rigging Grip : Oscar Gomez, Co-Producer : Bob Weinstein, Makeup Artist : Robin Beauchesne, Post Production Supervisor : Jeffrey Harlacker, Armorer : Steve Auvenshine, Producer : Peter Weir, Costume Supervisor : Dawn Y. Line, Set Designer : Mark Hitchler, Helicopter Camera : Phil Pastuhov, Projection : Larry Hoki, Makeup Effects : Gabriel De Cunto, Sound Re-Recording Mixer : Doug Hemphill, Transportation Captain : Wayne Stone, Set Designer : Manuel Martínez, Visual Effects Editor : Tom Barrett, Loader : Sal Alvarez, Casting Associate : Nicole Hilliard-Forde
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